Kadon Douglas
Program Advisor
With a profound respect for artists and storytellers, combined with a strong dedication to justice and liberation, Kadon Douglas finds joy in supporting artists and cultural producers in their career development.
Before her role as executive director at BIPOC TV & FILM, Kadon spearheaded dynamic marketing and communication approaches at The Creative School at Ryerson University, as well as at Women in Film & Television-Toronto. Kadon’s accolades include participation in prestigious programs like the Hot Docs International Film Festival: Doc Accelerator (2013) and the Shaw Media Diverse Voices initiative (2015).
A 2023 Globe and Mail Top 25 Most Influential People in Canadian Television, Kadon maintains an active presence within the screen-based media community, generously offering her time as a speaker and advisor.
Notably, she chaired the Reelworld Film Festival (2020) and sits on the board of the Canadian Independent Screen Fund for Black and POC creators (CISF) and the steering committee of Digital Media at the Crossroads. A Caribbean native – Grenada – Kadon lives in Toronto with her anime-loving teenage son and their cat, Lord Philip Onyx Douglas the First.
Danielle Audette
Manager of Programs & Development
Danielle Yvonne Marie Audette (Red River Métis-Francophone) is a manager of programs and development for the National Screen Institute and a freelance consultant in the film and television industry specializing in production management, business affairs and post-production supervising.
Her journey began in 1998 with Les Productions Rivard Inc, Canada’s first independent francophone production company outside of la belle province dedicated to weaving documentary stories shared by franco-minorities from the Yukon River to the Great Lakes.
In 2002, Danielle began freelancing as a production manager on various historical documentaries for a multitude of independent companies which led her to post-production manage a series of horror / thriller films in 2007 (natural progression) enabling her to work with an amazing roster of talent from across North America.
APTN, the world’s first Indigenous broadcaster, welcomed Danielle in 2009 where she immersed herself in a new community of storytellers specializing in all genres of programs in Indigenous languages including the historical debut of Rogers Hometown Hockey in Cree on APTN in 2019.
Danielle resides within Treaty 1 territory.
Jessica Gibson
Manager of Programs & Development
Jessica has built a successful career as a film and television producer and production manager since transitioning from her role in front of the camera as an actor to behind the scenes over 10 years ago.
She has extensive experience managing televised live events, including the Aboriginal People’s Choice Awards and Indigenous Day Live. She was an associate producer on the award-winning We Were Children for the National Film Board and produced the short films Platypus (dir. Trevor Kristjanson) which received funding from BravoFact and Tides (dir. Rowan Grey) which received funding from Harold Greenberg Fund.
In her spare time, she and her dog Pepper are a volunteer St. John Ambulance Therapy Dog team.
Meet the students
Anaëlle Béglet
Montreal, QC
Anaëlle Béglet began her career as an executive assistant to producer Jonathan Finkelstein at Apartment 11 Productions before joining Art et essai as a producer. Her focus is on scripted and non-scripted series and feature films. She has also produced award-winning short films.
Anaëlle is an associate producer on Ariane Louis-Seize’s debut feature, Humanist Vampire Seeking Consenting Suicidal Person, which won the best director award at the Venice Days section of the Venice Film Festival, a grand prize at the Festival du Nouveau Cinema, and was selected for Toronto International Film Festival 2023.
Recently, Anaëlle was a content producer for Trio Orange’s acclaimed series Pa t’mentir and KOtv’s thought-provoking documentary series T’es belle pour une Noire.
In 2023, Anaëlle became the majority shareholder at Autres Histoires alongside Jeanne-Marie Poulain. The company develops high-impact series, documentary films, features and animation that celebrate diversity and inclusion.
Marie Clements
Galiano Island, BC
As a writer/director and producer, Marie Clements has ignited her brand of artistry within a variety of mediums including film, TV, radio and live performance.
Marie’s current work as a writer, director and producer includes her feature film Bones of Crows which premiered at Toronto International Film Festival 2022, opened Vancouver International Film Festival and has screened at over 34 festivals worldwide garnering over 60 nominations and 32 awards.
The release of her mini-series by the same name on CBC/SRC and APTN was the highest watched dramatic premiere this fall and won best international series at Seriesfest in Denver.
Marie is working on a slate of television and film projects with her company MCM2 that specializes in the development, creation and production of innovative works of media that explore an Indigenous and intercultural reality.
Alison Duke
Toronto, ON
Alison Duke is an accomplished writer, producer and director at OYA Media Group, known for illuminating narratives about the Black experience.
She received two Canadian Screen Awards in 2019 for Mr. Jane and Finch (CBC) and a 2023 Canadian Screen Award nomination as an executive producer on the docuseries Evil By Design: Surviving Peter Nygärd (CBC and Starz).
Alison also created, produced and directed the five-part docuseries Black Community Mixtapes which premiered in September 2023 on Citytv/Rogers and is available on Citytv+ via Amazon’s Prime Video.
She is the writer, producer and director of the upcoming feature documentary Bam Bam: The Sister Nancy Story for Crave and a producer on A Mother Apart, co-produced with the National Film Board for the documentary Channel. Additionally, she co-founded OYA Black Arts Coalition, a not-for-profit organization supporting Black youth and minorities.
Shant Joshi
Toronto, ON
Shant Joshi is an award-winning producer and president of Fae Pictures, based in Los Angeles, New York and Toronto, on a mission to decolonize Hollywood.
His credits include Oscars shortlisters (To Kill A Tiger), longlisters (Framing Agnes, In Flames), award winners at Sundance Film Festival, Berlinale (International Dawn Chorus Day), Red Sea Film Festival, Iris Prize (Scaring Women at Night), Durban International Film Festival (Runs in the Family), and premieres at Cannes Film Festival, Toronto International Film Festival, Canneseries (Streams Flow From A River), Aspen Shortsfest (I Live Here), Palm Springs International Film Festival (Diaspora), Hot Docs Festival, BlackStar Film Festival, Bentonville Film Festival and BFI London Film Festival.
Shant sits on the action committee for Canadian Media Producers Association’s Restructuring, Equity, Diversity and Inclusion. He was co-chair of the BIPOC TV & Film board and co-founder of the Future of Film Showcase.
He is an alum of the Canadian Film Centre, Rotterdam Lab and Osgoode Hall Law School, and was named a MIPTV Producer to Watch, Reelworld Trailblazer, nominated for an Indiescreen Award and to York University’s Top 30 Changemakers under 30.